The ritter German ethnopsychology
(character) is discussed in
Therivel's GAM/DP Theory of Personality and Creativity.
German Ethnopsychology
The Ritter (Knight/Warrior)
Personality of the Germans.
Are the Germans the Last of the Medievals?
The above is the title of chapter 25 of volume 1 of
William A. Therivel's The GAM/DP Theory of Personality
and Creativity (G stands for genetic
endowment, A for assistances of youth, M
for misfortunes of youth, DP for division of
power, UP for unity of power). For an introduction
to the GAM part of the theory click "Introduction
to GAM"; for an introduction to the DP
part click on "Introduction
to DP".
In this website, the reader is also offered a shortcut:
The GAM/DP Synopsis
and an expanded version, The GAM/DP
Summary of volumes 1 through 4.
The Germans, as well as the Japanese, are a fascinating
exception to the rule, by being neither visitors nor
insulars as discussed in chapter 11, volume 1 (click
on Introduction to DP), but ritter (knight/warrior)
because their ethnopsychology evolved not from the unity
of power or division of power, but from the partial
unity of power of their local lords (for Japan of their
local daimyo).
Hereafter, I report the table of contents and a few
pages from this long chapter.
This chapter is divided into the following sections:
I. Characteristics and Causes
1. Introduction
2. The Main Characteristics
of the Ritter Personality
3. Fidelity
4. The Misuse of Fidelity
5. The Origins of the
Ritter Personality under Partial Unity of Power
6. Courage and Bravery
7. Hard Work and Thoroughness
II. Causes for the Anomalous Permanence in Germany
of the Middle Age System and for the Continuity of the
Ritter Mentality
1. Germany Was the Major
Loser in the War of Supremacy
2. The Preferential Treatment
of France by the Papacy, at the Cost of Germany
3. The Unity of Power
of the German Semi-Caesaropapism at both the National
and
Local
Levels
4. Germany's Fragmentation
into a Large Number of Principalities with Permanence
of
the
Feudal System and Mentality
5. The Historical Continuity
of the German Language
III. The Last of the Medievals?
1. Der deutsche Sonderweg
(The German Special Way)
2. A Different Cause?
IV. And Today?
TABLE 6
The Main Characteristics of the Ritter and the Skeptical
Personalities
RITTER |
SKEPTIC |
|
|
Knight/Warrior
(often politician too) |
Skeptical |
Treue
(Fidelity) |
Disenchanted |
Courage |
Disillusioned |
Hard
work |
Disappointed |
Discipline
in following orders or in setting the example |
Indifferent |
Energy
and endurance |
Pessimistic |
Gründlichkeit
(Thoroughness) |
Possibly
cynical, too |
Perfectionism
and pedantry |
With
few hopes for the future of society |
Heroism |
Often
ironical, or melancholic or misanthropic |
Pride |
At
times utopian, demanding the impossible |
Arrogance |
|
Hate
of compromise |
|
Will
to power |
|
Superhumanism |
|
Greediness |
|
Ferocity
and cruelty |
|
A
certain love for pomp and uniforms |
|
Love
for the romantic |
|
Tendency
to theorize |
|
Obsession
with the ideal |
|
Sollen
über Sein (Must over being) |
|
Note: For each person, each characteristic will
be present in different proportions, many of them not
at all. Yet, their sum will be significantly different
than in the case of, say, a visitor or insular personality.
Basically, these are ethnopsychological characteristics
describing the modal personality of large ethnic groups,
when studied according to the present theory of power;
because of this they include a variety of characteristics,
some incompatible with others, but which are possible
under that specific type of power structure.
I. Characteristics and causes
1. Introduction
In his book The Europeans
of 1983, Luigi Barzini described the personality of
the Germans, along their history, as mutable, and correspondingly,
the chapter on them is entitled: "The Mutable Germans".
The other chapters are: "The Imperturbable British,"
"The Quarrelsome French," "The Flexible
Italians," "The Careful Dutch, and "The
Baffling Americans." Barzini calls Germany a "trompe
l'oeil Protean country. . . . Every time I was there
on a journalistic mission, I saw a startling new country,
only vaguely resembling what I had seen before or what
I had read about. . . . I was aware there must have
been a constant basic Germany, whose virtues and vices
practically went unchanged from one metamorphosis to
the next, from one regime to its successor, from one
political, philosophic, or aesthetic fashion to another.
But it was difficult. . . . It is still difficult for
foreigners, and for the Germans themselves. What is
the shape of Proteus when caught unaware at rest?"
(pp. 69-71).
What indeed is the shape
of the German Proteus when caught unaware? My answer
would be that his basic shape is (or was up to the 1960s)
that of a Ritter (knight/warrior). Looking behind
the many metamorphoses, I saw an all-pervading Ritter
personality (or Ritter mentality, or Ritter
scripts) "whose virtues and vices practically
went unchanged from one metamorphosis to the next, from
one regime to its successor," which manifests itself
differently in function of different cultural, economic
and political conditions. During bourgeois non-Ritter
times, his Ritter mentality goes into hiding,
only to quickly come back during nationalistic, pro-Ritter
times.
This fundamental Ritter
personality is not only what differentiates the Germans,
past and present, from other people such as the British,
French, Italians, Dutch, and Americans but also what
gives the Germans a degree of continuity, of immutability,
that other people don't have. It is a paradox, but only
an apparent one, that the people who seem so mutable
are, in reality, the most constant behind a series of
superficial changes.
Yes, it is true that the
Germans give the impression to have changed often, quickly
and by much: from being unwarlike and gemütlich,
as noted by Madame de Staël in her
De l'Allemagne of 1810: "Nothing is odder
than the German soldiers. . . . They fear fatigue or
bad weather, as if they were all shopkeepers or literati"
(quoted by Barzini, 1983, p. 72) to the daring and efficient
soldiers of Blücher at Ligny-Waterloo or the disciplined,
relentless, unstoppable spiked helmets of the 1870 war
against France. Going back about four centuries, Barzini
quoted another peaceful, unwarlike description of the
Germans, this time by Machiavelli in his Ritratto
delle Cose della Magna [Picture of the German situation]
of 1508-12: "E così si godono questa rozza
vita e libertà; e per questa causa non vogliono
ire alla guerra." (Thus they enjoy their rough
life and their liberty, and do not want to go to war)
(1983, p. 72). Yet not long after from Germany came
those fierce Landsknechte who sacked Rome in
1527: "The atrocities and profanations they committed
far exceeded those inflicted in the past by Goths or
Vandals, Saracens or Normans" (Cheetham, 1982,
p. 201). A careful reading of Machiavelli could have
told Barzini not to stress the "do not want to
go to war." Two paragraphs earlier, he would have
read that: "in soldati non spendono, perché
tengono li uomini loro armati ed esercitati; e li giorni
delle feste tali uomini, in cambio delli giuochi, chi
si esercita collo scoppietto, chi colla pica, e chi
con una arme e chi con una altra" (1966, p. 821)
(They do not spend money for soldiers, because they
keep their men armed and trained, and on festive days
those men, instead of playing games, exercise, who with
rifles, who with pikes, who with one weapon and who
with another). So, those Germans may not have wanted
to go to war (i.e., to any war), but they were very
well prepared for it. In other words, even in peaceful
times, their life was embedded in a Ritter ethnopsychology,
driven by mighty sticks and carrots. As soon as one
gave them a good reason to wage war, they did it with
gusto and efficiency. Or, even if they did not want
war, when called to duty they knew how to perform.
Thomas Mann also had discovered
this kind of rapid change when, in his novel Lotte
in Weimar, he commented, through the voice of Adele
Schopenhauer, on the rapid evolution of the German personality
during Napoleonic times: "One must admit that he
[Napoleon] changed the Germans very much. He turned
their milk--that is to say, their homely, pious ways
of give and take--into boiling dragon's blood; and he
even made a grim patriot and soldier of freedom out
of the versatile humanist von Humboldt. Shall we account
it a merit or a crime in Caesar, that he changed our
minds and brought us to ourselves? I will not judge"
(1990, p. 184). That "brought us to ourselves,"
is significant! Even the versatile humanist changed
rapidly!
2.The Main Characteristics of the Ritter Personality
The main characteristics
of the Ritter (knight/warrior) personality are
fidelity, courage, hard work, discipline in following
orders or in setting the example, energy and endurance,
perfectionism and pedantry, heroism, pride, arrogance,
hate of compromise, will to power, superhumanism, greediness,
anger and rage, ferocity and cruelty, a certain love
for pomp and uniforms, love for the romantic, tendency
to theorize, obsession with the ideal, sollen über
sein. Obviously, for a given person, each of them
will be present in different proportions, many not at
all, yet their sum-integration should differentiate
a large number of Germans from say a large number of
Britons, French, Italians, Dutch, Americans. Many of
these are positive traits, virtues which most people
should strive for. Sadly also, many of these traits
can quickly transform themselves into ugly negative
traits when put at the service of nefarious leaders
or a tyrannical society. However, whenever these virtues
have been put to work, in a just free society, they
have produced wonders. Indeed, often, Germans abroad
have done admirably. Away from home it was easier for
them to choose which ideal to follow, which program
to serve or lead.
The Ritter personality
in question has nothing to do with an assumed "national
spirit" or with the expression of assumed innate
and unchangeable ethnic or racial characteristics. Instead,
according to the DP theory, it is the direct and indirect
long-term result of a situation of partial unity of
power. "Direct" refers to the immediate influences
exercised by the power holder via sticks, carrots, ideology,
and propaganda. "Indirect" refers to the assimilation
of the pervading Ritter scripts, from infancy
onward, from parental and peer modeling, schooling,
fairy tales, proverbs, ballads, novels, sermons, etc.
The ethnoscripts--because learned so early in life and
in so many indirect ways--show a strong inertia and
evolve slowly, so that the unit of time for their study
is that of generations at minimum, commonly of whole
centuries (in the absence of radical national tragedies).
3. Fidelity
Fidelity is the main
virtue of the Ritter world, highly praised, constantly
preached and demanded unconditionally by every lord.
Only so could the lord avoid insubordination, neglect
of duties, betrayals, or coups d'état. As long
as each lord was in constant warfare with his neighbors
or with his overlord (as was for so long the case in
Germany and Japan), he had to maintain a ready army
staffed with faithful warriors, constantly trained,
ready to intervene at any moment, capable of using their
initiative within a clearly understood overall scheme.
In feudal times, faithfulness
was "a two-sided attitude as a (new) covenant with
God or an engagement with men with whom one is not naturally
related. It is never a relationship between equals;
the partners are distinct in rank. A new human bond
is created beside that of kinship and 'friendship,'
or the patriarchal power over servants, or the military-political
obligations of obedience to the king or his officers.
Fidelity is something like all of these and yet different"
(Fichtenau, 1991, p. 52). "The more able a knight
was as a warrior, the more dangerous he might be if
he lacked loyalty. Thus prowess and loyalty were the
great feudal virtues.